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Post by reut on Feb 12, 2019 13:23:06 GMT 1
Some fans on twitter forget many things. Or suppose many things which are completely wrong. Or imagine many things, etc. I think it's healthier just to ignore that. I actually did plan an interview with Anna and Robert when I visited Champéry for the first time in 2015, but it didn't work out. Maybe some other time. She is an amazing person, I was absolutely charmed by her. And, well, yeah, Team Champéry could be a bit more informative about many things: their students, their coaching staff, their schedule, etc. But I don't think it will happen...
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Post by reut on Feb 13, 2019 15:37:20 GMT 1
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Post by reut on Feb 26, 2019 13:40:28 GMT 1
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Post by fourthdimension on Feb 27, 2019 15:50:54 GMT 1
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Post by reut on Feb 28, 2019 9:13:37 GMT 1
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Post by reut on Mar 1, 2019 12:05:15 GMT 1
Cup of Tyrol starts today with short programs for both Deniss and Matilda: skateaustria.vs91-250-98-130.cloud-he.de/img/competition/4.2018_19/170/index.htmStream for those who want to follow: livestream.com/sportevents/events/7993040Level of this event is extremely low this year, Deniss literally doesn't have anyone to lose to. So let's wish him to show very good performances here to gain confidence towards Worlds. (I do wonder why those were the competitions Stephane chose for Deniss this season - both this one and the one in Minsk, and if such approach really helps...) In ladies there are a few who can beat Matilda, but if she performs well she should medal.
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Post by reut on Mar 6, 2019 9:25:33 GMT 1
Men's SP draw:
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Post by reut on Mar 18, 2019 8:35:08 GMT 1
First practice in Saitama is done:
In planned content Deniss has 4T both in SP and in FS, bold move, fingers crossed.
Report about his practice:
Update: second practice today
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Post by reut on Mar 18, 2019 18:24:31 GMT 1
Translation by Tsurara from Golden Skate forum, news article, the part about Deniss: goldenskate.com/forum/showthread.php?56450-Deniss-Vasiljevs/page123It was indeed an unusual situation, but considering what Deniss said about his fans cheering for him during his practices and knowing how warm Japanese audience is, it was probably a treat for him.
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Post by reut on Mar 19, 2019 10:56:25 GMT 1
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Post by reut on Mar 26, 2019 13:41:52 GMT 1
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Post by reut on May 13, 2019 15:17:23 GMT 1
FSO: What was it about your short program, “Oblivion” by Astor Piazzolla, that you connected with and were able to perform it so well throughout the season? Camden: It was a connection to the process. It wasn’t necessarily just the program. I remember working with Stéphane Lambiel, my choreographer, in the off-season, trying to figure out this piece. Something I love that he did was, it wasn’t just his program, it was our program and he really emphasized the fact that he has given me guidelines and he’s given me movements, but ultimately it is my program and I need to make my own. So in a sense, it was the first time that I really had a type of program that was mine and his. In the past, the short program from 2017-18 season [“Fix You” by Coldplay], I remember my choreographer, Drew [Meekins] took a lot of my movements and put in the program which was amazing and I really liked that, but this past year, it was almost all me. He [Lambiel] gave me so many good movements, but throughout the season, I just kept adding to it at home. That’s what I loved about that piece, that I could always just tweak it and there was no right, there was no wrong, it was just the pure feeling of the music. figureskatersonline.com/news/2019/05/13/with-new-coaches-and-a-new-perspective-camden-pulkinen-wants-to-show-improvement-in-all-areas/
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Post by taipeifollowers on May 23, 2019 15:40:05 GMT 1
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Post by taipeifollowers on May 23, 2019 15:43:08 GMT 1
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Post by taipeifollowers on May 29, 2019 15:37:24 GMT 1
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